Thank you for visiting my site!

Your questions or comments are most welcome. Please drop me an email to let me know what you think of my work and or my web site.

P: 651-481-3976


Hmong Paj Ntaub

I often think of the old masters of the Renaissance who giggle like small children in a candy store, full of joy from the discovery of linear perspective, its vast potential and a new method of expression.

I too, giggle with joy, at the thought of finally having an opportunity to explore core elements and characteristics of the most traditional and in my opinion, one of the best known art forms, the Hmong Paj Ntaub and the new, Hmong American Paj Ntaub, the Story Cloth.

The Hmong Paj Ntaub is a traditional Hmong art form known in America in two basic variants. The traditional version is a small textile with sewn abstract symbols and patterns representing animal and nature. It has functional cultural identifiers, identifying the clan and family origin of the living and used to identify the deceased in the after life when used in funerals. The other variant is the American Paj Ntaub that tells the story of life in the refugee camp and the journey to America.

This is truly exciting because though the Hmong culture is very rich, little of its art has been written, documented or have been fully explored, due the modern Diaspora of the Hmong beginning in 1975.

My body of work, to some may not appear at first, to be strictly ethnic or culturally based because traditional Hmong art tools, techniques, and in some cases not even the same media and or materials were used to create it. Yet further examination reveals my intention to substitute the artist's brushy for the needle and paint for the threads of my ancestors, in the hope of taking this Hmong art form to a new level, while still maintaining its core elements.

"Seexeng has a good sense of humor and is a joyful, thoughtful person who takes responsibilities seriously and involves all students in being successful in their educational pursuits. I have also observed him in collegial conversations with persons from many different countries. He is at ease in presenting himself in a non-threatening and caring manner. He is a strong team member who builds sound working relationships and does all parts of projects from inception to completion, no matter how involved or tedious."

- Sally A. Baas - Director Southeast Asian Teacher Licensure ProgramHmong Culture and Language Program
Special Education Program, College of Education
Latest Event
2015 Legacy Day Mural

2015 Legacy Day Mural

The Blake School

The tunnel linking the Hopkins Lower School to the Middle School is undergoing a colorful transformation thanks to art teacher Seexeng Lee and a group of Blake student-artists. Look for more on this project in the months to come! (Video by Nadia Lee) [read more]

Post on: June 8, 2015 9:56:00 AM

Read more posts
  • Then and Now

    Then and Now

    24"x36", acrylic on canvas with 24kt gold, silver and copper leaf highlights. 2005. I believe that we, the Hmong are some of the most resilient people to set foot on this earth. Then we were farmers, living in our ancestral homeland- high hills and mountains of China. Then we express ourselves with threads and needles. Now we are doctors, lawyers, educators, politicians and etc. Now, we expressed ourselves with paint and paint brushes.

  • Sacred Hearts

    Sacred Hearts

    30"x38", acrylic on canvas with 24K gold leaf.2010: The title says it all, both literally and metaphorically.

  • Txhais Nkauj Hmong

    Txhais Nkauj Hmong

    24"x36", acrylic on canvas with 24KT gold and copper leaf highlights. 2014

  • Nub Sis Looj

    Nub Sis Looj

    18"x24", acrylic on canvas with 24kt gold, silver and copper leaf highlights. 2005. Nub Sis Looj the legendary Qeej player. It was said that Hmong men envy him and Hmong women adore him because of his abilities and charisma when playing the Qeej.